Having been involved with the creation of cover artwork for the music industry, I saw the commercial previewed on Rhapsody for the new album Blueprint 3, with the recreated cover art as the premise and thought it was unique and different. Then to top it off I saw Dan Tobin Smith's "making of" cover artwork video. The use of projector painted, found object still life is a really fresh look, and is inspiring in many ways. Also I think the new album is good, worth giving a listen to. Here is the info and insight provided by those at OnSmash.
Dan Tobin Smith interview transcript from ItsNiceThat.com
Greg Burke, the creative director on the project at Atlantic Records had seen the Letter ‘E’ I had shot with the set designer Nicola Yeoman and I guess he had it in the back of his mind when he was thinking of ideas for Jay-Z’s new artwork for Blueprint 3. I think Greg and Jay-Z had lots of ideas about what the album meant and it seemed to be about taking it back to the source, in terms of the music itself and then subsequently the artwork. For the album and the idea was it was very much about the music and all the things that make music. The 3 is represented by 3 bars which is of course the old way of writing ‘3’ so that seemed to work really nicely with the idea behind the album and the set design that evolved. We all liked the idea that the installation was almost machine like, like all these things were interlinked. That’s why everything is packed and jumbled together. Like it had kind of grown out of this corner.
I think it was a brave approach for Jay-Z as all his previous albums have had him on them. I love still life, and the way I shoot is quite old school. It took 3 days to shoot, was all shot on 10×8 inch film, so the quality in the whites is fantastic, so much subtle tone. We worked long and hard on the colour work on the post and even in a single page mag advert I can see that effort. You could blow the image up to the size of a building and it would still hold up. It seems the album is about that old school crafted production so its nice that that same method went into the shoot.
The reaction has been really good. Kanye put it on his blog which was nice. I’m sure some people want to see Jay-Z on the cover but at least they will talk about it. I love the idea of this kind of still life photography being so looked at. When they see the rest of the shoot for the singles I think it will grow on some of the people who were maybe less enamoured with it. There has obviously been comparisons to the letter E, some people not realising it was me who shot it! It was great that we shot it and the whole experience was great, everybody worked together really well.